Appreciate all the hard work and thoughtfulness with the security considerations file. I'm just still unsure that it's wise to be doing this. The attack vector for crypto SGX honeypots are high. At the end of the day, you have to extract the seed in order to present it to the user, and do occasional SGX server migrations which will require this seed again to provision.

Is this all so that you can offer offline receives for consumers? Because this is being worked on as far as the concept of Lightning goes. 

Or do you see this as something you get enterprise customers with that already feel confident in the SGX model, whether that is wise or not? 

Yeah wonderful questions!

**Tldr; exclusivity, small scale, and art (as hobby on the side).**

What's so liberating about this perspective is that instead of thinking of music as work and a difficult (globally accessible) industry to make it in, it becomes art -- and much more localized.

My village has a surprisingly active music scene (given its size), with a few musicians putting up performances (with like 10 people in audience) or inviting their friends from elsewhere to play. It's usually all donation based and those in attendance are happy to part with money for exclusivity -- and direct support of artists.

They all have real jobs on the side, realizing that their art is a passion, not an economic value-add. 

But yeah, wavlake and special performances on Nostr etc would be one way to go. 

In an informational overload era of next-to-infinite supply and very limited demand (and even less limited dollars), you have to realize that however good you think your stuff is, it's probably not _that_ good globally speaking. 

Access, or local in-the-here-and-now, on the other hand -- very different story.


